Meet Kevin Baugh—President of the Republic of Molossia
Kevin Baugh isn’t your average head of state—but then again, Molossia isn’t your average nation. Born on July 30, 1962, Baugh is the founder and self-declared president of the Republic of Molossia, a micronation nestled on 1.3 acres of desert land near Dayton, Nevada. His journey into nation-building began in 1977, when he was just 15 years old, inspired by the Cold War satire film The Mouse That Roared and his own imaginative fascination with sovereignty and identity. Alongside his friend James Spielman, Baugh co-founded what was then called the Grand Republic of Vuldstein near Portland, Oregon—with Spielman as King James I and Baugh as Prime Minister. Over the next two decades, the project transformed through various names and locations before settling into its current form in 1998, with Baugh assuming the presidential role on September 3, 1999.

As president, Baugh leads a constitutional presidential republic—though in practice, his authority is more akin to a benevolent dictatorship. He’s designed Molossia with all the trappings of statehood: a national anthem (with lyrics written by Baugh himself), a currency pegged to Pillsbury cookie dough (the Valora), and even a standing navy composed of five inflatable boats. Though the micronation has around 35 citizens—mostly his family and four dogs—Baugh takes his role seriously. He pays taxes to Storey County, which he cheekily refers to as “foreign aid,” and he enforces national laws that ban catfish, plastic bags, and even walruses.
Despite Molossia’s whimsical nature, Baugh’s commitment is no joke. He’s built a functioning customs station, a space program (complete with mission patches), and a monthly tourism schedule that draws curious travelers from across the U.S. Visitors can have their passports stamped, purchase Molossian souvenirs, and enjoy a tour guided by the president himself. His wife, First Lady Adrianne Baugh, and their children—Alexis, Carson, and Mark—actively support the endeavor, which they see as a celebration of creativity and unconventional thinking.
What began as a teenage fantasy has matured into a fully realized micronation, a living commentary on sovereignty, imagination, and the blurry line between parody and politics. For Kevin Baugh, Molossia isn’t just a hobby—it’s a sovereign expression of identity, humor, and the enduring allure of nationhood in miniature.
The Origins of Molossia—From Backyard Joke to Micronation
The Republic of Molossia didn’t begin with a constitution or a revolution—it began with two teenagers, a backyard, and an inside joke that spiraled into a decades-long geopolitical performance. On May 26, 1977, Kevin Baugh and his friend James Spielman founded what they called the Grand Republic of Vuldstein near Portland, Oregon. Spielman crowned himself King James I, while Baugh took the role of Prime Minister. At first glance, it was all pretend—an elaborate game inspired by satire and cinema, especially the 1959 film The Mouse That Roared, which tells the story of a tiny nation declaring war on the U.S. for financial gain. But as Spielman lost interest, Baugh didn’t just keep the idea alive—he escalated it.
Over the next two decades, Baugh reshaped and rebranded his micronation multiple times: from the Kingdom of Edelstein in 1980 to the Kingdom of Zaria in 1988. By 1995, the entire operation had relocated to Nevada, where a more serious iteration took root. In 1998, Baugh briefly experimented with calling it a provisional communist state and even merged with the United Provinces of Utopia—before pulling the plug on that idea in early 1999. On September 3, 1999, the modern Republic of Molossia was officially established, with Baugh as its self-declared President.
What began as a teenage fantasy evolved into a fully fleshed-out micronation complete with borders, laws, and a cheeky foreign policy. Today, Molossia claims 11.3 acres in Dayton, Nevada, and even boasts territorial claims like the Farfalla Province in California and Neptune Deep, a fictional marine reserve in the Indian Ocean. Through all its iterations, Baugh’s vision remained rooted in playful sovereignty—but also in a surprisingly structured form of civic imagination. As a result, Molossia didn’t just survive its adolescent origins; it matured into one of the most enduring examples of modern micronationalism.
Creating a Flag, Currency, and Border Control
Building a nation—real or imagined—requires more than just a declaration. It needs symbols, systems, and a little flair for the dramatic. That’s exactly what Kevin Baugh, President of the self-declared Republic of Molossia, set out to create when he transformed his 1.3-acre property in Nevada into a functioning (albeit unrecognized) micronation. Among the first steps? Designing a national flag, minting a currency, and establishing border control—all vital elements in asserting Molossia’s playful sovereignty.

The Molossian flag, known as the “Grand Triune,” is a tricolor banner of blue, white, and green—each stripe symbolizing strength, purity, and prosperity, respectively. Curiously, it’s a flipped version of the Sierra Leone flag, a nod to international symbolism with a tongue-in-cheek twist. The currency, called the Valora, is equally unconventional. Instead of gold or fiat backing, it’s pegged to cookie dough—specifically, five Valora equals one tube of Pillsbury cookie dough. Physical Valora are represented by poker chips, reinforcing the micronation’s whimsical ethos.
But perhaps the most theatrical feature is Molossia’s border control. Visitors must present a passport (which Baugh stamps), and customs regulations ban items like onions, incandescent bulbs, and walruses. There’s even a posted 500 Valora fine—roughly $400—for nuclear detonations on Molossian soil. While clearly satirical, these rituals mimic the bureaucratic trappings of real nations, blurring the line between parody and patriotism. In doing so, Molossia doesn’t just entertain—it invites us to question what truly defines a country.
How Baugh Used U.S. Legal Loopholes to Build His Own “Nation”
So how does a man in khaki military garb, standing in the Nevada desert, get to call himself a president? The answer lies not in secret treaties or international courts, but in the clever—and entirely legal—use of property rights and symbolic sovereignty. Kevin Baugh, founder of the Republic of Molossia, didn’t exploit a traditional legal loophole so much as he leaned into the gray zones of U.S. law. Owning 1.3 acres of land in Storey County, Baugh treats his property as a sovereign state—but here’s the twist: he still pays U.S. property taxes, which he cheekily refers to as “foreign aid” to America (source).
The Republic of Molossia, declared in 1998, rests on the principle of self-declared independence—a concept with no legal weight under U.S. or international law, but one that isn’t explicitly prohibited either. That’s the key. Baugh doesn’t resist federal authority; instead, he operates within it. He hasn’t renounced U.S. citizenship or refused to comply with local regulations. Instead, he’s created a fully immersive nation-within-a-nation—complete with customs checks, a national currency pegged to cookie dough (yes, really), and laws banning everything from onions to nuclear detonations.
What sets Molossia apart from more defiant micronations is its tone: humorous, non-confrontational, and absurdly bureaucratic. Baugh isn’t trying to secede or spark a constitutional crisis. He’s performing sovereignty—using the trappings of statehood as satire, art, and personal expression. And because he stays within the bounds of U.S. property and tax law, there’s little legal basis to challenge his self-made presidency. In a way, Molossia is a masterclass in how far you can stretch the idea of a nation without breaking any actual rules.
Diplomatic Declarations—Including a War with East Germany
In the realm of international relations, most nations wage war over territory, ideology, or historical grievances. The Republic of Molossia, however, chose a more unconventional route—declaring an ongoing war against a country that technically no longer exists. According to Molossian records, President Kevin Baugh’s micronation has been in a state of war with East Germany since November 2, 1983. The origins of this peculiar conflict trace back to Baugh’s time stationed in West Germany with the U.S. military, during which he claimed his sleep was disrupted by East German military exercises—a grievance that, in true Molossian fashion, became the basis for a formal declaration of war.
But here’s where the satire sharpens: although East Germany ceased to exist after German reunification in 1990, Molossia insists the war remains active due to a technicality. At the heart of this claim lies Ernst Thälmann Island, an uninhabited speck of land off the coast of Cuba that was symbolically “gifted” to East Germany by Fidel Castro in 1972. Since no official documentation ever reversed that gift, Molossia argues, the island remains East German territory—and thus, the war continues. Even when mock diplomatic overtures were made in 2020 and again in late 2024 by the micronation of Sivland, Molossia rebuffed them, citing unresolved hostilities.
This tongue-in-cheek conflict is more than a whimsical anecdote—it’s a core part of Molossia’s national identity. It exemplifies how Kevin Baugh uses creative political theatre to blur the lines between parody and sovereignty, drawing on obscure Cold War relics to craft a foreign policy that’s both absurd and oddly coherent. In doing so, Molossia transforms a backyard project into a living satire of international diplomacy—one where even defunct regimes can still, technically, be the enemy.
Tourism, Passports, and a National Holiday in Molossia
Tourism in the Republic of Molossia isn’t your average sightseeing excursion—it’s part performance art, part immersive satire, and entirely unforgettable. Nestled on just 1.3 acres in the Nevada desert, Molossia welcomes curious travelers once a month between April and October, but only with advance reservations. Showing up uninvited? That’s a diplomatic faux pas. Visitors are guided by none other than President Kevin Baugh himself, often joined by First Lady Adrianne Baugh, who adds charm and ceremonial flair to the tour. The experience is designed to simulate entry into a sovereign country, complete with passport checks, border control, and even a customs declaration—onions, incandescent bulbs, and walruses are strictly prohibited at the border.
Once inside, guests explore a surprisingly elaborate array of national institutions: a central government house, a tiki bar and grill, a national bank issuing currency pegged to cookie dough (5 Valora equals one tube of Pillsbury), and even a five-boat “navy” consisting of inflatable vessels. Passports can be stamped—a coveted souvenir for micronation enthusiasts—and American dollars are accepted for Molossian memorabilia.
As for national holidays, while Molossia hasn’t published a formal calendar of festive observances, it does commemorate its unique history with events like “Molossia Independence Day,” celebrated annually to mark its 1998 founding as a sovereign entity. The micronation also maintains a tongue-in-cheek state of war with East Germany—yes, still—offering a satirical lens on outdated geopolitical tensions. Beyond the pageantry, tourism serves a larger purpose: it sustains Molossia’s cultural mythos and invites visitors to reflect—between laughs—on the meaning of sovereignty, borders, and national identity.
What Molossia Tells Us About Sovereignty, Humor, and Patriotism
Sovereignty is usually the business of flags, borders, and bureaucrats—but in the high desert of Nevada, it also involves cookie dough, tiki bars, and a tongue-in-cheek war with East Germany. The Republic of Molossia, founded by Kevin Baugh and covering just 1.3 acres near Dayton, challenges our assumptions about what it means to be a nation. Despite lacking recognition from any UN member state, Molossia operates with the full trappings of statehood: a national flag, a currency pegged to the value of Pillsbury cookie dough, and even customs procedures for visitors who must show passports at the border. Legally, Baugh continues to pay property taxes to Storey County—cheekily labeled as “foreign aid”—highlighting how sovereignty can be more performative than practical.
But here’s where it gets even more interesting: Molossia isn’t just a satire of statehood—it’s also a surprisingly earnest expression of patriotism. With a national anthem composed by Baugh himself, monuments, and even a climate policy banning plastic bags and incandescent bulbs, Molossia fosters a genuine sense of identity and civic pride. Its citizens (all 35 of them, including four dogs) celebrate national holidays and participate in local parades like Nevada Day. Through it all, Baugh’s micronation teaches us that patriotism doesn’t have to be tied to power or territory—it can grow from creativity, humor, and a deep-seated desire to build community on your own terms.
Molossia’s playful war with a now-defunct East Germany—technically with an uninhabited island near Cuba—serves as a satirical jab at the absurdities of international conflict, while laws like a 500 valora fine for nuclear detonations reflect both wit and a critique of bureaucratic overreach. In doing so, Molossia invites visitors and observers alike to rethink the rigid definitions of statehood. Is a nation simply a place on a map, or is it the shared symbols, rituals, and stories that bind people together? In Baugh’s republic, the answer is clear: sovereignty begins wherever imagination and intention intersect.